For the confession, we used a “sound sculpture” created by the audio artist Mike Thornton. A base of slow beats and ambient sounds was layered with the words below, broken into phrases and fragments, mostly whispered by a variety of voices. We wanted to engage the sense of touch as well as hearing– connecting us with the earth, with our own bodies and with each other.
The words used included the prayer of confession and absolution from the Book of Common Prayer, which originated in 1662. After 350 years it’s not surprising that some words have fallen out of common use. We probably wouldn’t talk now about “following the devices and desires of our own hearts.” And yet there is power in the poetry, and also in acknowledging that our worship echoes that of believers going back over centuries. It reminds us that neither our faith nor our sins are new to God.
For the confession, we used a “sound sculpture” created by the audio artist Mike Thornton. A base of slow beats and ambient sounds was layered with the words below, broken into phrases and fragments, mostly whispered by a variety of voices. We wanted to engage the sense of touch as well as hearing– connecting us with the earth, with our own bodies and with each other.
The words used included the prayer of confession and absolution from the Book of Common Prayer, which originated in 1662. After 350 years it’s not surprising that some words have fallen out of common use. We probably wouldn’t talk now about “following the devices and desires of our own hearts.” And yet there is power in the poetry, and also in acknowledging that our worship echoes that of believers going back over centuries. It reminds us that neither our faith nor our sins are new to God.